Hurston/Wright Foundation Announces 2018 Legacy Awards

The Zora Neale Hurston/Richard Wright Foundation announced the winners and finalists of the 2018 Legacy Awards and paid tribute to two pioneers in the Black literary community: Poet and playwright Ntozake Shange, best known for For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf; and Charles Henry Rowell, long-time editor and creator of the literary journal Callaloo.

Marita Golden, co-founder of the Hurston/Wright Foundation, presented the North Star Award – the foundation's highest honor for career accomplishment and inspiration to the writing community to Dr. Shange; due to health issues, Dr. Shange was unable to attend, but her sister, playwright Ifa Bayeza accepted the award. Two-time U.S. Poet Laureate and Pulitzer Prize winner, Natasha Trethewey presented Dr. Rowell with the Madam C. J. Walker award in recognition of his life-long dedication to uplifting the Black cultural experience.

More than 200 literary stars, readers and representatives of the publishing industry, media, arts, politics, and academia attended the event on Friday, October 19 in Washington, D.C. Award-winning journalist Derek McGinty served as Master of Ceremony and Khadijah Ali-Coleman, playwright, poet and singer/songwriter, delivered a musical tribute to Zora Neale Hurston, one of the foundation's namesakes. The highlight of the evening was the naming of the winners of the juried awards for books by Black authors published in 2017 in the categories of debut novel, fiction, nonfiction, and poetry.

The winners and finalists of the Legacy Awards are as follows:

Debut Novel
Winner: 
The Talented Ribkins, Ladee Hubbard (Melville House Publishing)
In the words of the judges: “Characters map family secrets and lore as they reckon with magical powers that bring both vulnerability and strength. For better or for worse, they learn who they are in solitude and as a collective.”

Nominees:
What We Lose, Zinzi Clemmons (Viking)
An Unkindness of Ghosts, Rivers Solomon (Akashic Books)

Fiction
Winner: 
Black Moses, Alain Mabanckou (The New Press)
In the words of the judges: “Set in the Republic of Congo, this funny, efficiently-rendered picaresque tale superbly traces the hero’s psychic collapse. The perils of tyrannical government are deftly interrogated throughout this seemingly simple and humorous narrative about an orphan boy.”

Finalists:
The Woman Next Door, Yewande Omotoso (Picador)
In the words of the judges: “Two squabbling octogenarian women on different sides of South Africa’s racial divide live out their rancorous days meditating on the pain of the past and the present. In telling the story of the feud between them, The Woman Next Door brings characters who are often overlooked to the center stage.”

Sing, Unburied, Sing by Jesmyn Ward (Scribner)
In the words of the judges: “This Faulknerian tale (heavily influenced by As I Lay Dying) about broken lives and about how the past keeps haunting the present is written with lyricism and power.”

Nominees:
What It Means When a Man Falls from the Sky, Lesley Nneka Arimah (Riverhead Books)
The Tragedy of Brady Sims, Ernest J. Gaines (Vintage Contemporaries)
Dance of the Jakaranda, Peter Kimani (Akashic Books)

Nonfiction
Winner: The Dawn of Detroit: A Chronicle of Slavery and Freedom in the City of the Straits, Tiya Miles (The New Press)
In the words of the judges: “Miles mines scattered and long-forgotten accounts to reconstruct a stunning, surprising and often-horrifying account of Native Americans and African Americans in 18th century Detroit.”

Finalists: 
Cutting School: Privatization, Segregation, and the End of Public Education, Noliwe Rooks (The New Press)
In the words of the judges: “Pulling back the veil of neoliberal ‘solutions’ to end the racial divide in our education system, Cutting School demonstrates that the demolition of public education reinforces rather than alleviates the so called ‘achievement gap’ between black school children and their white peers.”

The Cooking Gene: A Journey through African American Culinary History in the Old South, Michael W. Twitty (Amistad)
In the words of the judges: “Following the food trail through his multiracial family history, DNA research, race, and traditional recipes, he creates a comprehensive re-evaluation of the meaning of food to African Americans and their ancestors.”

Nominees:
Cuz: The Life and Times of Michael A., Danielle Allen (Liveright)
Loving: Interracial Intimacy in America and the Threat to White Supremacy, Sheryll Cashin (Beacon Press)
Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History, Camille T. Dungy (W.W. Norton & Company)

Poetry
Winner: 
Semiautomatic, Evie Shockley (Wesleyan University Press)
In the words of the judges: “Despite the ugliness of the violence around us, she has written a collection of poems that both chronicles it and decries it, all while offering us the beauty of her lines.”

Finalists:
Ordinary Beast, Nicole Sealey (Ecco)
In the words of the judges: “Sealey addresses our frailty, our fears, our folly, with grace, humor, the perfect timbre of understanding, steady in its conviction that love requires praxis.”

Incendiary ArtPatricia Smith (TriQuarterly Books/Northwestern University Press)
In the words of the judges: “At once dexterous and transcendent, Incendiary Art digs far below surface issues to their roots, offering readers a rare glimpse into the nuances of characters' lives with unmatched frankness and grace.”

Nominees:
City of Bones, Kwame Dawes (TriQuarterly Books/Northwestern University Press)
Trophic Cascade, Camille T. Dungy (Wesleyan University Press)
In the Language of My Captor, Shane McCrae (Wesleyan University Press)

The judges
Debut Novel: Angela Flournoy, Donna Hemans, Ravi Howard 
Fiction: Amina Gautier, Chinelo Okparanta, JJ Amaworo Wilson
Nonfiction: Gretchen Holbrook Gerzina, E. Patrick Johnson, William P. Jones  
Poetry: Lillian-Yvonne Bertram, A. Van Jordan, Willie Perdomo

This program was supported by the DC Commission on the Arts and Humanities, which receives support from the National Endowment for the Arts.

About the Hurston/Wright Foundation: The Zora Neale Hurston/Richard Wright Foundation was founded in 1990 in Washington, D.C., and is dedicated to discovering, mentoring and honoring Black writers. Through workshops, master classes and readings, the organization preserves the voices of Black writers in the world literary canon, serves as a community for writers, and continues a tradition of literary excellence in storytelling established by its namesakes. The Hurston/Wright Foundation is a 501(c)(3) nonprofit.

Hurston/Wright Foundation
10 G Street NE, Suite 600
Washington, District of Columbia 20002
(202) 248-5051
info@hurstonwright.org

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